Brian works nearly every day in every style from Billboard #1 records to bedroom projects or boutique musics. Six Grammy winners, and some of the bigger sellers are listed here plus a sampling of others. Musicality is the driving force in the work, connecting each artist more deeply with their core audience and expanding their appeal to the widest possible audience. For top quality mastering that makes money and keeps artists happy, you're in the right place.

Greatest Showman Soundtrack Atomic Blonde Soundtrack Liam Gallagher - As You Were Shania Twain - Now Royal Blood - How Did We Get So Dark? Marilyn Manson - Heaven Upside Down Lucinda Williams - This Sweet Old World Michelle Branch - Hopeless Romantic Ani DiFranco - Binary Triggerfinger - Colossus Ruby Boots - Don't Talk About It Dalton Domino - Corners Depeche Mode - Spirit The Shins - Heartworms Cameron Avery - Ripe Dreams, Pipe Dreams The Kills - Ash & Ice Doyle Bramhall II - Rich Man The Last Shadow Puppets - Everything You've Come To Expect Lucinda Williams - The Ghosts of Highway 20 Ringo Starr - The Lifetime Of Peace & Love Tribute Concert Cage The Elephant - Tell Me I'm Pretty Marilyn Manson - The Pale Emperor The Arcs - Yours, Dreamily, Chet Faker - Built On Glass Ray LaMontagne - Supernova Ghost - Meliora The Reverend Peyton's Big Damn Band - Front Porch Sessions Dr. Dog - The Psychedelic Swamp Dr. Dog - B-Room Dr. Dog - Live At A Flamingo Hotel Dr. John - Locked Down Arctic Monkeys - AM Grace Potter - Midnight The Posies - Solid States David Lynch - Crazy Clown Time David Lynch - The Big Dream The Black Keys - Brothers The Black Keys - El Camino The Black Keys - Turn Blue Dorothy - Rock Is Dead Hamish Anderson - Trouble Lydia Loveless - Somewhere Else Mary Lambert - Welcome To The Age Of My Body Zola Jesus - Taiga The Delta Riggs - Hex.Lover.Killer Delta Spirit - Into the Wide Train - Does Led Zeppelin II Beck - I Won't Be Long Sigur Ros Ryan Bingham - Tomorrowland Ryan Bingham - Fear and Saturday Night The Reverend Peyton's Big Damn Band - So Delicious! Saskwatch - Leave It All Behind The Growl - What Would Christ Do? Hanni El Khatib - Head in the Dirt The Olms - The Olms The Sheepdogs - The Sheepdogs Newsted - Heavy Metal Music Keaton Henson - Birthdays JEFF the Brotherhood - Hypnotic Nights Yellow Red Sparks - Yellow Red Sparks Jessica Lea Mayfield - Tell Me Hacienda - Shakedown Cadillac Sky - Letters in the Deep Counting Crows - Echoes of the Outlaw Roadshow O.A.R. - King O.A.R. - Live at Red Rocks Royal Bangs - Brass The David Mayfield Parade - Good Man Down The Pack A.D. - Do Not Engage WhoMadeWho - Dreams moe. - What Happened To The La Las Riverboat Gamblers - The Wolf You Feed Tennis - Young & Old Ringo Deathstarr - Colour Trip The Reverend Peyton's Big Damn Band - Between The Ditches Hamish Anderson - Restless Ryan McGarvey - Redefined Nikki Lane - All Or Nothin Birth Of Joy - Prisoner Spanish Gold - Out on the Street The Soft White Sixties - Get Right The Shins - Port Of Morrow Hacienda - Loud Is The Night Bombino - Nomad

"That guy is fucking great. Never heard of him before now." - Neil Young


Beginning in the late 80s NYC East Village, Brian Lucey was a professional musician (guitar, voice, piano) who became a student of Robert Fripp and Guitar Craft through the early/mid 90s. He has many years of experience in band creativity: writing, arranging, performing, tracking, mixing and producing organic music (Ampex MM1200 2"). Mastering began in the late 90s and his experiences in all other phases plays into a uniquely musical take on the craft.

Originally from the secret music city of Columbus, Ohio he works out of Los Angeles.


Located on a street with artists of all genres in Atwater Village, the Los Angeles room is a new concept in mastering design. The freestanding walls treat mid and high frequencies, while the low end escapes into the three story, open floor plan, concrete structure. This provides great low end clarity. Windows and fresh air encourage a more human connection to the outside world. Mastering is about connection, and this design brings something to the work a windowless cave studio can not.



Bricasti DAs

"Your sound is, I hate to say this, the best of every top mastering engineer." - Multi Grammy and Billboard #1 Producer


Modified solid state and new old stock tube gear in a short signal path fill a single desk of great power and flexibility. Speakers from the immensely clever German designer Joachim Gerhard, hand made by Immedia in Berkeley, CA. Amplification is Class A push pull tube. Bricasti M1 SE converters.

"I listened on a lot of different set ups, and compared things, It's cool to hear it one step removed, to actually listen to it as "music". It was kind of like hearing the album for the first time. He did stuff. And I think those choices came from a gut-musical level. Things like: the image is more centered on this one, or, he let the dynamics really blast out on the chorus of this one and let the verses be kind of tight. In general, the mid-range is a lot more "intelligent" and colorful, the low end is tight-controlled and punchy, and the dynamics feel vibrant and lively. There are some cases where the things are squished in a nice glue kind of way and other times where things breath and break out. It's not a broad overall approach, each song sounds specific and treated as its own thing, and it all works together really well as an album. Songs go in different directions, it's pretty cool. I'm happy." - Bernard Chadwick II